Violinist Andrew Sords

The Official Website of the Award - Winning Violinist

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Following collaborations with nearly 300 different orchestras on 4 continents, American violinist Andrew Sords has garnered accolades for his performances combining visceral virtuosity and ravishing tone. Hailed in the press as “a fully formed artist” (Kalisz-Poland News), "utterly radiant" (Canada’s Arts Forum), and “exceptionally heartfelt and soulful” (St. Maarten’s Daily Herald), Sords has received numerous awards and distinctions reflecting his career trajectory, including the Pittsburgh Concert Society’s Career Grant, the National Shirley Valentin Award, and the NFMC Young Artist Award. A recent debut with the Flagstaff Symphony Orchestra prompted the Arizona Daily Sun to declare: "[the Sibelius concerto] is a formidable challenge for any violinist, and Sords met that challenge in a flawless performance displaying not only mastery of his instrument but also maturity and sensitivity in the interpretation of this complex work."

Born in Newark, Delaware, Sords began piano lessons at 5, and shortly thereafter asked for a violin. Sords studied for seven years with Liza Grossman before becoming a pupil of Linda Cerone, David Russell, and Chee-Yun Kim at both the Cleveland Institute of Music and Southern Methodist University. Early competition successes led to international management and various debuts: of Sords’ first Australian performance, the Melbourne Age declared, “Sords made a voluble soloist in the A Major Turkish concerto, forging his statements with an admirably firm clarity and bringing out the work's virtuosity as often as possible. His bowing arm showed an attractive suppleness and an attention to variety of phrasing that made even the episodic finale a pleasure."

Andrew Sords has appeared with celebrated conductors and orchestras. The 2017/18 season features appearances with the Flagstaff Symphony, Pueblo Symphony, Spartanburg Philharmonic, Southeastern Ohio Symphony, Des Moines Orchestra, Grand Junction Symphony, Durham Chamber Orchestra, Longmont Symphony, and the Guatemala Bravissimo Festival. In recent seasons, concerto collaborations have included the Oakland Symphony, Windsor Symphony, Motor City Symphony, Kalisz Philharmonic, North State Symphony, Chattanooga Symphony, Cleveland Philharmonic, Boulder Chamber Orchestra, Wisconsin Chamber Orchestra, Toronto Philharmonia, Gulf Coast Symphony, Melbourne Chamber Symphony, and the Dvorak concerto at Toronto’s famed Glenn Gould Studio. Sords made his UK concerto debut in Edinburgh and Scotland (Tchaikovsky) with the Glasgow Philharmonia, and has a forthcoming Croatian debut (Mendelssohn) with Miran Vaupotic. In 2016, Sords returned to his childhood orchestra, the Contemporary Youth Orchestra, with the Barber Concerto (Liza Grossman). A recent outdoor performance of the Tchaikovsky concerto with the Wisconsin Chamber Orchestra was heard by an estimated audience of 30,000. Additionally, Sords has worked with myriad conductors including Robert Franz, Michael Morgan, Sidney Harth, Mario Mateus, Andrew Sewell, Charles Latshaw, Carl Topilow, Scott Seaton, Luis Biava, and Matthew Kraemer.

As a prolific recitalist, Sords has appeared in St. Croix, Washington, D.C., Maui, New York City, Los Angeles, Chicago, Dallas, and at St. Augustine’s (FL) EMMA Series at Flagler College. In Fall 2016, Sords returned to Australia to present the Mendelssohn concerto and Vaughan-Williams “Lark Ascending”, and collaborated with cellists John Walz and Joseph Johnson in performances of the Brahms “Double” concerto. A 2015 Canada tour with the Mendelssohn Piano Trios and Violin Sonata was reprised with Cheryl Duvall and Luke Severn in 2017 with the Brahms Trio Cycle in Montreal, Guelph, and Toronto. First invited by San Miguel de Allende’s ProMusica Series in 2011, Sords has returned with six varied recitals, and performed two programs for West Palm Beach’s Norton Museum Series. As a frequent soloist in the Caribbean, Sords has appeared in Puerto Rico, Anguilla, St. Maarten, Trinidad and Tobago, Grand Cayman, and the U.S. Virgin Islands, and a series of performances with the Trinidad and Tobago Youth Philharmonic was profiled by "STRINGS MAGAZINE". From a Cleveland recital with Eriko Izumida, the review enthused: “Expertly performed, he brought a full and rich sound and gave a heroic performance of Ravel’s ‘Tzigane’, powerful and in control of the many notes. Sords impressed with his total command of technique, consummate musicianship and bravura as he tossed of scads of notes and sang out like a diva…he and Izumida kept the audience in the palm of their hands all afternoon.” (Cleveland Classical)

Sords has appeared on the festival circuit including summer appearances in Fairbanks, Minneapolis, Pittsburgh, and the Republic of Georgia with Liana Isakadze’s World Virtuosi. With Ms. Isakadze’s ensemble, Sords appeared in Carnegie Hall’s Zankel Hall. In 2018, Sords will collaborate with pianist Elyane Laussade at Australia’s Brunswick Beethoven Festival. After a successful debut at the Glenn Gould Theatre in 2016, Sords will return with the Elgar Violin Concerto celebrating 2018's Canada Day. Appearing annually in Canada with Cheryl Duvall, their collaborations next season include a return engagement on the Kitchener-Waterloo Chamber Music Society.

A man of diverse and inclusive interests, Sords competed in the charity fundraiser “Pittsburgh’s Dancing With The Stars” as the first classical artist to do so. Sords has performed numerous times for LGBT outreach, including both the Tchaikovsky and Beethoven Violin Concerti in repeat collaborations with the Minnesota Philharmonic and Atlanta Philharmonic. Sords was featured four times as a guest on Sirius XM’s Derek and Romaine Show, profiled by “OUT Magazine”, NPR’S Morning Edition, and has been interviewed by hundreds of media outlets. Sords performed the National Anthem for ESPN2’s WNBA Pride Game in 2014, and in 2017, Sords opened a sold-out Cleveland Indians game with the National Anthem at Cleveland's Progressive Field. Sords’s recent collaboration with Sean Christopher on the New-Age album “Transcendence” has been a commercial and critical success, with reviews stating: “much of this is owed to the gorgeous and precise playing by Andrew Sords, whose violin adds a thrumming undercurrent of pure life throughout the album’s stainless steel structure.” This album is available on iTunes,, and CDBaby.






WINDSOR (CA) Star: Sords a hit with WSO audience

Listen to Andrew's Interview of National Radio about the healing phenomenon of Classical Music

Listen to Andrew play the Franck Sonata in A major

(Second half of Third Movement)